A Street Car Names Desire Essay A Street Car Named Desire deals with a culture clash between the Old Southâ€™s â€œplantationâ€ mentality (priding itself on false pretenses) and the New Southâ€™s relatively uncivilized, yet real, grip on reality. The two characters who come to represent this tension are Blanche and Stanley Kowalski. Blanche advertises herself as a champion of â€œSouthern Honor. â€ This entails an unfaltering dedication to virtue and culture. These are not, however, driving factors in her life but only mask her alcoholism and delusions of grandeur. By contrast, Stanley is an industrial worker who acts on habit and structure. Tennessee Williams juxtaposes illusion and reality by depicting the antagonistic relationship between the two by consistently employing symbolism. Blanche is constantly escaping the realities of life by retreating into her own fabrications. Her plummet into a delusional world begins when her beloved husband reveals himself to be gay and, soon after, shoots himself. She falls into a spiral of affairs after this event in a search to find emotional satisfaction and to reaffirm her womanhood. She ignores the obvious detrimental effect of her intimacies because all she wants is to be happy again: to be loved. Blanche physically escapes the reality of her life by leaving Belle Reve and Laurel to go to her sisterâ€™s home in New Orleans. Here, she misrepresents who she is and enters another relationship where she recreates her identity. When confronted about her lies, Blanche explains that she lies because she refuses to accept the hand fate has dealt her: I dont want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I dont tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it! (Williams, 34) Lying to herself and to others allows her to make life appear as she thinks it should be rather than as it is. Her final, deluded happiness (as her sister and Stanley commit her to an insane asylum) shows her acceptance that illusion is an adequate reality, but it also shows realityâ€™s inevitable triumph. The driving force of reality, embodied by Stanley Kowalski, quickly dismantles all the falsities Blanche comes to represent. He is a practical man firmly grounded in the physical world who disdains fabrications. He finds meaning only in the primitive and straightforward: â€œTheres something downright bestial about him! He acts like an animal, has animals habits! Yes, something ape-like about himâ€ (71). An animal would not create an alternate reality for a situation but would act according to the real, harshness of life in order to ensure its own survival. Stanleyâ€™s animal habits can be looked at as an appreciation only for tangible truths. In the end, Stanley succeeds in debunking all the false images Blanche created about herself. He goes out of his way to reveal Blancheâ€™s past and then flaunts it in a crude, insensitive way: â€œTake a look at yourself here in a worn-out Mardi Gras outfit, rented for 50 cents from some rag-picker Do you know that Ive been on to you from the start, and not once did you pull the wool over this boys eyes? Ha ha! Do you hear me? Ha ha haâ€ (67). Stanley again asserts his bestial tendency, but this time to show his dominance. When he proceeds to physically rape her, he metaphorically strips her of the false reality she created. Williams uses symbolism to show that Blanche is trapped in a life of delusion. The Varsouviana Polka and the use of light are reoccurring symbols that elude to her disconnect with reality. The Polka is the music that played the night her husband committed suicide. Blanche says that it ends only after she hears the sound of a gunshot in her head. It plays at various points in the play, symbolising this event that triggered her mental decline. Whenever a situation gets too â€œreal,â€ Blanche firmly believes she hears the Varsouviana, panics, and looses her grip on reality. Also, throughout the play, Blanche avoids appearing in direct, bright light, especially in front of Mitch: â€œAnd turn that over-light off! Turn that off! I wonâ€™t be looked at in this merciless glareâ€(45). It is clear she avoids the lights in efforts to conceal the reality of her age and fading beauty. Symbolically, Blanche avoids light in order to prevent Mitch from seeing her for who she is. She, once again, retreats into her own world of illusion. Blanche is never able to be looked at â€œin the lightâ€ and exposed. She never faces reality. Both Stanley and Blanche have a hard time relating to the other gender without sexual implications. The difference is that Stanley is upfront about this â€œanimalisticâ€ behavior towards women, while Blanche tries to paint herself as above the primitive nature of her sexual impulses. We can call one approach realistic and the other delusional, but it doesnâ€™t change the fact that both characters approach interactions in a sexual way. What does this say about the nature of what is real and what isnâ€™t? Williams seems to draw an ambiguous line. This implies that reality and illusions coexist in our lives, and what we choose to label our views and actions is just a matter of perspective.
12/12/2019 0 Comments
Intelligence Collection - Essay Example
When done in literal collection, translators have to be relied on and for non-literal; the material collection has to rely on the processor or the exploiterâ€™s judgment which is considered to be accurate. Sometimes customers may receive and act on raw literal collection and this is so because they can readily get hold of it any moment. There is an advantage here because these people are not trained analysts. What helps them see is the functional view where they realize they might be able to give input and give minimal challenge the collection material.
Various complaints concerning the NRO claimed that the NRO was unwilling to donate funds in order to fund programs fully. Fitzgerald claimed and argued that the 1995 funding crisis results were lack of a margin and the certainty of some cost overruns that were presented to the NRO with a reality of having difficulties to fund selected programs fully. The other view was that the NRO had their lost budget autonomy. They argued that whenever a given program exceeded the funding limits, they were forced to go back to Congress and obtain permission that would see them move money from another program in the NRO in order to fix the
Write something about yourself. No need to be fancy, just an overview.